Korg Prologue 16 Voice Polyphonic Analogue Synthesizer

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16 Voices of Analog, FM, and Wavetable Synthesis

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Manufacturer: Korg

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Details

Details

Prologue is a fully-programmable, full-featured, professional synthesizer. Preceded by the four-voice polyphonic minilogue and the monophonic monologue, it’s the long awaited debut of the flagship: the prologue.

prologue is a polyphonic analog synthesizer equipped with a full-sized keyboard. With powerful analog circuits that are descended directly from the earlier models of the series, together with a newly developed digital multi engine and gorgeous DSP-based effects, prologue expands the variety of sounds and the possibilities for user customization.

Covering musicians’ needs for not only stage use, but also studio, home, or touring: 16-voice 61-key prologue-16. These instruments are capable of sounds that go beyond existing analog synthesizers.

The prologue is a polyphonic analog synthesizer with 8 or 16 multitimbral voices. KORG’s analog synthesizer development in recent years has culminated in the prologue, which was designed using 11,000 discrete electronic components. Although the prologue is a flagship instrument, it still retains the inviting feel and accessibility of its predecessors. It features a pure analog path, impeccable sound quality, stunning presence unlike any other poly synth, and the same intuitive interface as the minilogue and monologue, granting you intuitive access to a vast world of analog synthesis.

The prologue uses a structure of 2VCO + MULTI ENGINE, 1VCF, 2EG, 1VCA, and 1LFO. In addition to distinctive, original circuitry, such as wave shaping to shape the oscillator’s overtones and a sync/ring switch, prologue also features a two-pole low pass filter with enhanced sharpness, drive that adds powerful distortion, and a low cut (high pass) switch. Every detail has been improved on from minilogue and monologue. Its sound covers every sonic possibility: fat basses, powerful leads, and the beautiful pads that you expect from a polyphonic synthesizer.

Newly developed multi-engine:

The ingenuity of prologue goes beyond its analog design. The newly developed multi engine is provided as VCO3, adding digital waveforms and FM. This multi engine, which is equipped with three different sound engines, can be combined with the analog VCOs to expand prologue’s sonic potential far beyond that of a traditional analog synthesizer.

Noise generator:
There are four types of noise generator, indispensable for percussive sounds or sound effects. Experience how digital filtering can produce direct changes in the color of the noise.

VPM oscillator:
The VPM (Variable Phase Modulation) / FM oscillator was newly developed for prologue. Its metallic and sharp sounds with their complex overtones could never be obtained by analog means. With 16 types of oscillator and the SHAPE knob, you’ll be intuitively guided through complex sound design. Combine these wave shapes with prologue’s gorgeous analog filters, and prepare for sounds you never thought possible.

User oscillator:
The user oscillator section lets you load oscillator programs of your own creation. Sixteen slots are provided, and one type of morphing wavetable oscillator is built-in as a preset.

Digital effects:

The high-quality digital effects feature pristine 32-bit floating-point processing, and add a further polish to the sound of the prologue. With two effect units provided (a modulation effect and delay/reverb), you can choose from a wide variety such as chorus or ensemble, warm tape delay, or diverse reverbs. The user effect slots let you load effect programs of your own creation.

User-customization:

The prologue offers an SDK (Software Development Kit) that allows developers to program, customize and extend the capabilities of the multi-engine and digital effects and is expected to be available for download in the spring of 2018. The prologue provides 16 user oscillator slots and 16 user effect slots, and users can use the prologue Librarian software (also expected to be available for download in the spring of 2018) to load into their prologue new oscillators and effect programs created by developers with the prologue SDK (Software Development Kit).

What types of sound will you create by combining the expanded digital oscillators with analog synthesis? You can create original programs and share code to participate in the user community. Start with sample code provided by KORG. The prologue belongs to you.

Analog comp/booster:

The exclusive VU meter is available only on the prologue-16, and indicates the newly developed master effect L.F. COMP. It’s a low end booster/compressor using an analog circuit, delivering a solid sense of presence that cannot be obtained from a simple EQ. You’ll particularly notice the difference in high-volume stage performances where maximum dynamics can be utilized.

Specifications

Specifications

Specification

Type: Polyphonic Analog Synthesizer
Sound Engine Type(s): Analog, FM, Wavetable
Analog/Digital: Analog-Digital Hybrid
Number of Keys: 61
Type of Keys: Natural touch synth action, Velocity-sensitive
Other Controllers: Pitchbend, Mod wheel
Polyphony: 16 voices
Number of Presets: 200+
Number of Effects: 43 types
Effects Types: Chorus, Flange, Phase, Ensemble, Delay, Reverb
Oscillators: 2 x Analog Oscillators (square, triangle, sawtooth) 1 x Digital FM/wavetable
Filter: Cutoff, Resonance, EG Internal, Drive, Low Cut, Keytrack
LFO: Wave (saw, triangle, square), Mode (fast, slow, BPM), Rate, Int, Target (pitch, shape, cutoff)
Arpeggiator: 6 types (manual, rise, fall, rise fall, random, poly random)
Audio Outputs: 2 x 1/4" (L/mono, R)
USB: 1 x Type B
MIDI I/O: In/Out
Pedal Inputs: 2 x 1/4" (expression, damper)
Other I/O: 1 x 1/4" (headphone), 2 x 1/8" (sync in/out)
Power Supply: Standard IEC AC cable
Height: 4.65"
Width: 34.41"
Depth: 13.70"
Weight: 20.06 lbs.