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Over a decade after the first LiveJam collaboration surfaced - on a strictly vinyl-only basis - an entire cosmos of interconnected artists, labels and releases have spawned off its mystery - a perpetual praising of the shadows that is less and less present within the underground. At its core, it instilled an ethos and a clear aesthetic both for the label’s regulars, and for the wider house and techno spectrum as a measure of quality. The initial collective, led and curated by founders EMG and John Swing, gave rise, together with the Analogue Cops, to the tirelessly anonymous APPOINTMENT project - an improvisational, techno-minded session - and the SPS moniker that includes talented producer Battista, with both sets of crews making a return after a long break from the label. Ten years later and the cooperative expands, finding mutual respect and admiration among two heavyweights of the UK house and techno ecosystem - house maestro, Mr G, for the former, and British techno luminary, Ben Sims, for the latter. Even so, this remains consciously limited to vinyl, and while they now have official support from two of dance music’s legends, it’s been earned through a dogged pursuit of Livejam’s founding principles. Simply, a physical production ethos from conception through to performance.
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